I didn’t watch the SpikeTV Video Game Awards this year. I don’t have SpikeTV. Sure, I suppose I could have watched it online, but that would have taken away from my surfing time, and that surfing time is valuable. It’s alright. According to the people I follow on Twitter, I didn’t miss much. Maybe I follow overly-cynical people (that’s possible), but the general consensus was that the show blew. Again, I didn’t watch it, so I can’t judge, but from what I understand, it was an hour and a half of silly jokes and premieres, with all of the awards shoved into the last half-hour. Judging by the time-stamps on the Twitter posts announcing the winners, I think that time-frame is pretty accurate. This strikes me as odd. I would assume that the “awards” in an “award show” would take center stage, but that didn’t appear to be the case. At any rate, one of the people I follow, Justin McElroy from Joystiq.com, questioned this odd move, and received the following reply from Executive Producer Geoff Keighley:

Um, Geoff Keighley? You do realize that what you tweeted, right there, is the formula for every other award show out there, right? The Academy Awards? No premieres, lots of awards. The Grammys? No premieres, lots of awards. The Emmys? No premieres, lots of awards. Oh, I shouldn’t quite say that. There are some premieres. They just come in between the awards. You know. During the commercials. These companies buy commercial time to premiere their wares; they aren’t a part of the show itself.

Now, I understand that the VGA’s (There is an apostrophe. I just decided) do not have the legacy that the rest of the awards shows have. Those other awards have been handed out for decades; the VGA’s are eight years old. I’m sure they believe they need to do something to attract the attention of both video game developers and players. Without these premieres, would anyone care about the show? I think they would, because my Twitter feed told me something else. When the awards were finally announced, there were congratulations all around. Yes, there were a few eye-rollings, but even those are a sign of notice. The people talking about these awards were the very same people that had spent the first 90 minutes of the show complaining. They watched for the awards, and when they were announced, there was genuine conversation.

These awards are voted on by an advisory council of people within the industry. If a game wins an award, it’s because it’s made an impact. That impact should be recognized, and the VGA’s are a great way to do that. I think the problem is that Geoff Keighley is gunshy, and that’s too bad. Video games have become a valid medium in their own right, and it’s time to recognize them as such. Let’s skip out on the gimmicks and stupid jokes and focus on the games we’re there to celebrate.

I’d take time out of my valuable surfing time to watch a show like that.

 

Last night, I wrote out a list of things I want to do over the next ten years. I’m turning thirty in a little over four months. I never made a “before-30″ list. I feel like I missed out on something. I missed out on the making of a list. It’s not really a bucket list. A bucket list implies that I’m going to die soon. I certainly have no plans on dying before I’m 40, though my weight and family-history of heart disease might say otherwise. At any rate, I’ve decided to do a decade list. Truthfully? I hope to have these things done in the next four or five. If that happens, I’ll make another list. Or I’ll sit at home and wither away, having accomplished everything I could hope to accomplish.

Or maybe not. I don’t know. I’m still hammering out the details.

At any rate, I don’t really want to share my list. I’ll share a bit of general stuff. There are 20 items total. There are some publishing goals on there. There are a lot of travel goals. There are some really off-the-wall goals, most of which are probably less than safe. For some of those, I’ll probably need to find a friend crazy enough to go with me. You know, to keep me from chickening out. There are also a few that have to be done before others. Some prioritizing has to be done.

Anyway, there’s not much point to this. Just thinking about the future.

 

I did something new today. I submitted a 250-word abstract for one of my papers to an academic forum. If it’s accepted, I will be flying to Michigan in February to speak on comic books in front of a bunch of comic fans and English scholars. In some ways, this will be a very good experience. I’ve never done anything like this before, and this particular forum will be small-scale, compared to other conferences. It will be a fantastic learning experience. On the other hand, I am super terrified of even the idea of presenting one of my papers before an actual audience.

I gave a presentation today in one of my classes. I filled my Powerpoint with puns and jokes, which fell completely flat. I should have expected it. They were really stupid jokes. But to not even get a pity laugh? That’s just sad… I don’t have any jokes in my paper, but what if my claims and evidence fall on deaf ears? What if they look at me as if I’ve completely misinterpreted the text? What if I fly 700 miles to be laughed out of a room?

A few months ago I wrote about trying new things and “trials by fires.” I meant that, which is why I submitted my abstract. I’m terrified, but I’m ready to give it a shot. If I fall flat, I’ll learn what I can from it. I don’t expect it to go off perfectly. I know myself better than that. I expect I’ll fill my reading with a bunch of ‘Ums.’ I doubt I’ll make nearly enough eye contact. When the questions start, I can guarantee my mind will go blank.

Right now, I’m just hoping it goes at least “okay.”

I guess I’ve always been a little scared of public speaking. Actually, scratch that. I’m absolutely, horrible scared TO DEATH of public speaking. It shouldn’t be too surprising. I’m a socially-awkward video game/comic/science-fiction geek. I spend my free time reading. When someone calls me on the phone, I respond in single syllable words until the other person gets tired of trying and hangs up. That’s how I deal with other people, and it’s worked fine for me so far.

Maybe.

I think it’s time to overcome my crippling social-anxiety. I look at my brother and my dad and I’m amazed at how they can walk into a room and control it. They capture the attention of everyone there. I’ve never been like that. I hang out on the edges of the room and silently watch, hoping no one engages me in any way. I don’t want to live like that. I don’t want to be scared of people.

Is that something you can shut off?

I’ve thought about looking into some medication. My mom is very similar, and some anti-anxiety meds have done wonders for her. Maybe it can help me? Maybe I just need to get over myself and affect that change myself. I don’t know. I need a drink…

 

It’s the most wonderful time of the year…

I love the four weeks between Thanksgiving and Christmas. The weather is cooling down. Most people start putting up their Christmas decorations. You might even find a snowflake or two. I love all that. Even more so, however, I absolutely love, love, love Christmas music.

Not all of it, mind you. Some of it absolutely blows. But I have a good selection of music I really enjoy, and every year, I like to ring in this season by throwing all of that music into one giant playlist. I’ve mentioned this on T.R.O.A.M.M. before, though I never wrote too much on the subject. I thought, this year, I’d take a little time to explain why I build my list as I do. Ladies and gentleman (and horses) I present the 2011 Super Crazy Train Christmas Mix-travaganza!

I should probably clarify something. My playlist changes from year to year. The 2011 mix shares some tracks with 2010, but I have added and dropped some. The playlist is a fluid beast, which largely depends on a number of factors, such as how nostalgic I’m feeling or what kind of emotions I’m carrying into the season. Alright, enough talk! Let’s get to some selections! Continue reading »

 

I’ve been taking a leave of absence. No. I did not just forget about this blog. I was not just being lazy. I was not just focusing on school or finding a job. I was taking a “leave of absence.” I need this, okay? Just… okay?

So, what have I been doing in the past four months? Well, I’ve started school. It’s been going pretty well. It turns out I’m really good at writing about stuff I’ve read. I’ve settled nicely into Omaha. I love living in a bigger city. I’m not sure I ever want to move back to a rural community. It isn’t that I don’t enjoy the smaller, quiet life; I just really, really enjoy the hustle and bustle of the city. Plus, the bums that live near my house are super-nice. Even when I don’t give them a quarter.

I’m going to try and update this blog a bit more often. I have a lot I want to say, and over the past few months, I’ve often thought about how I need a forum to do that. Earlier today I realized that I already had that forum. I just needed to type a password into the box.

 

I submitted a story to a magazine last week. It’s the first piece I’ve submitted in a few months. It’s the first piece I’ve felt was worth submitting. The past six months have been interesting. I decided to go back to school, and that choice is taking me 8 hours away from my friends and family. For some of you, that might not be a big deal. But, for me, it is. I’m moving to a city, in which I know no one, to try and achieve an academic level I’m not sure I can achieve.

I need this, though. It’s easy for me to just keep writing, and submitting, and getting rejected, and getting better, and submitting, and getting rejected again. Before I took my self-imposed sabbatical, that was the norm. I needed to change things up. I felt like I was sinking into a sea of complacency, in which I would just exist. I would never amount to anything, I would never try and make something of myself. The scary part is I saw myself sinking into this quagmire, and I didn’t care. I was fine with it. I was content.

Screw that.

I submitted this story five days ago, and I’m feeling super impatient. I’ve never heard back from a magazine in less than two weeks, so I know it’s going to take a little while longer. Beyond that, I know the longer it takes, the better. That means I’ve made it out of the slush pile, and I’m currently heading up the ladder, moving from editor to editor, each one marking my story with a stamp of approval. I know all that, and I’m still super impatient. I just want to get my rejection letter and move on.

It’s the unknowing that’s killing me. But, at the same time, it’s that unknowing that makes the whole matter worthwhile. I like the suspense. I like the idea that at any point it could all come crashing down. To me, that makes things fun. Will I get rejected? Probably. Most magazines receive hundreds of submissions a month, and only a handful make it. Odds are against me.

But, what if my story is in that handful? What if the letter I receive has a check with it? That feeling alone is worth the risk of rejection, I think. It’s not just about the money; it’s about the validation I crave. I know I shouldn’t care what anyone thinks of my work, but when has anyone ever truly believed that? We need to feel accepted by humanity, and told we’re worth something. I think that’s a natural, human desire. Why else would we continually post stupid things to Twitter and Tumblr and Facebook, and wait for that small surge of glee when someone responds to it.

For me, though, it’s more than that, and this is where the story takes a slightly pathetic turn. I sometimes feel like I need that approval for my own self-worth. I’m not one of those writers who see a publisher’s rejection as a “rejection of myself”. I invest a bit of myself into each story—because I believe that’s what makes my stories good—but I know that a rejection letter doesn’t mean the publisher is rejecting me. So a rejection letter doesn’t make me feel bad. I still feel, however, that an acceptance letter would make me feel good about myself.

How does that work?

I don’t know if this magazine is going to buy my story. I hope they do, but I don’t know for sure. I can tell you this: I do love the suspense. I think that might be one of the reasons I’m going back to school. Yes, there’s definitely the whole “next stage of my life” thing, but I like venturing into the unknown. It’s like submitting a story, but on a whole different level.

What’s going to happen? Will I meet a ton of new people? What if they hate me? What if they love me? Will I have time to play video games? Will video games even matter? What about comic books? Where am I going to work? Hang out? How will I get from point A to point B? How many times am I going to get lost, and what if one of those times takes me into the super-bad part of town? What if I get mugged? What if I get stabbed?

Admittedly, some of those questions are kind of far-fetched. (I mean, comic books will always matter. Duh.) But, they’re still questions that are floating through my mind, and each one gets me excited about my move. In one scenario, I make it big, graduate with honors, go on to teach English at a large university and become a successful writer. In another scenario, I fail miserably at everything, end up in a gutter, and get drunk every night to try and forget. I’m assuming the actual events will fall somewhere in between, hopefully on the ‘success’ side of the school line. But, I don’t know that for sure.

And, my friends, my pals, those of you who have stuck with me through these 850 words of nonsense, I love that feeling.

 

I sometimes like to have face-to-face conversations with the characters I create. This is admittedly hard to do. It requires an incredible amount of imagination on my own part, since they aren’t real. Still, nothing helps me get into my characters’ heads like a good old fashioned talk. When people ask why my characters seem so real, I tell them it’s because they are—I’ve talked to them. I tell you this not to cast myself into some shade of crazy, but to give you a glimpse into my creative process.

I’ve been doing things this way for years, but something always troubles me. Each time I invite one to the real world—each time I take that step—I leave the conversation with a single realization I can’t seem to shake. All of the characters I create are dicks.

Let me give you an example. I woke up early yesterday and poured myself a bowl of cereal. As I carried my breakfast into the dining room, I ran smack dab into Howard Spence, sitting at my table and reading my paper. In his right hand he held a lit cigarette, which he would occasionally lift to his lips, taking a long drag.

“Hi, Howard,” I said.

“Sit down,” he replied. “We need to talk.”

I sighed. “Can it wait until I’m done eating?”

“No.”

“I thought I made you more patient.”

Howard shrugged. Howard Spence is a private detective I’ve recently dropped into a search for a necklace worth over two billion dollars. A while ago, he got tired of working domestic-dispute cases, and he’s been down on his luck ever since. Aside from the occasional missing persons case—which almost always turns into a domestic-dispute case—he rarely even works.

I took a seat. “What do you want, Howard?”

“It’s page thirty,” he said.

“What about it?”

“You’ve got two penny-thugs beating me up in an alley.”

“So?”

“So? So, I’ve got a gun,” he said. “I should shoot them.” To emphasize the point, he pulled his gun out of his holster and twirled it on his finger. “No one should ever beat me up.”

I shook my head. “You’re missing the point, Howard,” I said. “In that scene, you’re drunk, you’re hard up for cash, you’re only in that alley because you’re desperate,” I took a bite of cereal. “But you’re still a good guy. You don’t fight people, unless you’ve got a beef to settle, and you certainly don’t shoot anyone, unless you have to.”

He was silent for a while, before answering. “It just seems stupid. I’m supposed to be a tough guy. Why would I just stand there and take it?”

“Character development,” I replied. “Every story is a journey, and it has to start somewhere. For you, your story starts on page thirty.”

I could see him mulling this over in his head, as he thought about what I said, and what it meant. He re-holstered his gun, and shook his head. “I’m just going to shoot them.”

“You can’t,” I said. “You aren’t real. You don’t get to make decisions. I do.”

He met my gaze and took a long drag from his cigarette. “You,” he said eventually, “are an ass.” And he disappeared.

As I said, all my characters are dicks.

(Author’s Note: This story isn’t autobiographical, but I now really, really want to write a detective story with Howard Spence.)

 

It Could Always Get Worse

I love webcomics. I especially love webcomics that try something different. This is out there, but it’s also backed up by the angelic words of Phil Roland, who has threatened to kill me on multiple occasions.

Go there. It’s worth your time.

 

My fan may notice something different. I decided to clean up the theme a little bit and create a new logo. I believe a bunch of monkeys much better describes what I do here better than a typewriter could ever hope. So, there’s that.

 

Two days. Two days without power was all it took to destroy their perfect relationship. Looking back, of course, they could see it was perfection based on a lie, as perfection often is. But the two days without power brought every lie to the forefront, and when they could no longer turn away, distract themselves from the truth, the only thing left was the bare bones of their relationship. And even the most stubborn connection—formed between two people who were determined to make it work—could not have survived the onslaught of stress and grief brought about by darkness.

The whole city suffered, really. The power went out, and the people were left in the dark. At first, some made fun with it. Rooftop barbecues, radios with batteries and the good company of friends and neighbors could be heard on many streets. But by day two the looting started. Before something like this happens, people like to take the high road. They say they would never stoop that low. But when opportunity presents itself, a new TV is only a stone’s throw away. And since everybody is doing it…

They sat in their living room, listening to the sounds of the city. They heard a party on a nearby rooftop day one, and they heard glass breaking and shouting from the street outside their apartment on day two. Neither said a word. Neither had anything left to say. They had said it all—loudly—on day one, when they realized they couldn’t stand each other, when they realized the separate beds they bought two months ago didn’t happen because he snored, or because she liked to sleep sprawled out, but because touching skin on skin was repulsive to them, had become repulsive a long time ago.

In the corner of the room, the TV sat dark, their distraction, the thing they had used to convince themselves their relationship was worth fighting for. After all, they liked the same shows, she sometimes enjoyed watching him play video games, wouldn’t that be enough? It wasn’t. When the power went out, it wasn’t.

It hadn’t always been like that. When they first married, it was wonderful, but new marriages usually are. It’s the feeling of freshness, really; it’s the sense that you’re creating something new, and wonderful, and great, and something that will never, ever, ever die. After all, the love you share is perfect in every way, isn’t it? Isn’t that what you said in your vows? Isn’t that what you told each other your wedding night?

Things deteriorated, as age is likely to do. It isn’t that they chose to fall out of love, or even that they saw it happening. They just grew into a sense of complacency, and they saw the truth about each other, the things they had always known, but never truly saw. He ate too loudly; she spent too much time on the phone. When he wanted to go out to eat, she didn’t feel like it; when she wanted to go to the movies, he was too tired. They always had their shows, though, and curled up on the couch, a glow emanating from the plastic box on the far side of the room, it was just enough to convince them they could stay together, they could make it work.

On day two, as the last lit candle in their room burned down, neither of them made a move to relight it, or grab another one from the box. In their depression, the darkness seemed fitting, almost desired. He couldn’t remember what caused the fight the previous day; she wouldn’t remind him. It wasn’t really important, looking back. It was the inevitable conclusion to the years of numbness that had polluted their complacent existence.

“I’m tired,” she said at last, cutting the silence that had settled over them for nearly 20 hours.

“Go ahead,” he replied. “I’ll sleep out here. Maybe when we wake up, the power will be back.”

“That’s not what I meant,” she whispered.

“I know,” he answered.

Outside the window, a light flared up as someone threw a couch onto a bonfire someone started in the middle of the street.

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